CHARLIE CHAPLIN'S "THE CIRCUS" (1928) NO FURTHER A MYSTERY

They are often yearning romantics, using this type of big difference: Buster seems a plausible mate, along with the Tramp rarely seems to possess a libido, only idealized notions. If their comedies were produced in a more liberated time, it is possible to assume Keaton in mattress with a woman, but disquieting to think about the Tramp to be a sexua